Music

The Challenges of Creating and Performing Music

Open Labs is a company made up of musicians and producers. All of them have been in bands that perform; most still are in bands. Several of them have produced songs and albums of other bands. One scores music for movies. While the musical genres vary, as well as the instruments played, there is one similarity:

They want to make the music creation and performance experience process better.

During the past year we have gotten feedback from our customer base, as well as prospective customers about the music performance and creation process. The insights have reflected strong feelings about workflow as well as features. From the conversations and discussions a number of common elements have emerged:
- Musicians want the creative process to fun not technical
- Musicians want technology to manage their music, not them
- Musicians want their live experience to be easy, flexible and stable
- Musicians want Open Labs functionality and quality at a lower cost
- Musicians want products today, not future product announcements

At some level these are clichés that everyone can agree on. However, the specific detail behind these fundamentals makes for a real challenge. Let’s take a deeper dive on the first two particular areas that musicians want addressed.

Musicians want the creative process to fun not technical. The specific area of focus for musicians is the balance between complexity and capability. DAWs are extremely powerful tools for musicians to produce professional quality music. However, learning how to use most DAWs is a time consuming exercise with multiple windows and pull down menus. Many musicians are looking for an easy way to get an idea into a digital format prior to using a DAW to fine tune it. The frustration was best summed up by one producer, “Sometimes it takes so much time to get my system set up that I lose the creative idea in the process.”

Musicians want technology to manage their music, not them. There are an amazing number of sounds available to performers and producers. Although finding the sound you want and managing it on stage is very difficult today. Musicians need to be able to have seamless song transitions on stage. There is nothing worse for a performer than to have their music crash during a live performance. Musicians want technology to protect them from crashes, make finding sounds easier and managing set lists of songs seamless.

Tomorrow, we will examine the last three broad requirements below:
- Musicians want their live experience to be easy, flexible and stable
- Musicians want Open Labs functionality and quality at a lower cost
- Musicians want products today, not future product announcements

There is good news on the horizon….soon…..very soon.

The Rise of the Music Creative Class

In Richard Florida’s book, The Rise of the Creative Class, he makes the observation that creativity has become the driving force of economic growth in America. We are very aware of that fact at Open Labs, as we sell to and support professional artists, producers and musical directors. However, we have seen a major shift in music creation and performance during the past two years. The desire to create and perform has become mainstream.

Identifying the specific drivers of this musical surge is challenging. Although, the wide consumer use of games like Guitar Hero and applications such as Garage Band are surely part of the equation. Additionally, the popularity of televised talent shows American Idol, The Voice and X Factor have increased interest in music creation and performance.

It is much easier to identify the fact that music creation and performance has become mainstream with business successes. Companies like TuneCore, Bandcamp, CD Baby and Reverb Nation have become multimillion dollar companies servicing the new music creators with outlets to market and sell their music. SoundCloud, an audio sharing and collaboration company, has increased it’s customer base from one million users to eight million users in the past eighteen months as the music creative class wants to share their music and work with others regardless of geographies.

Open Labs has received feedback from many of the new music creative class and the feedback has been consistent. They want music creation and performance to become easier and less expensive. Check back next week to see how we are addressing the desires of this market.

SXSW 2011 is here!

It’s that time of year again.   Thousands of film makers, musicians, and media artist pour into town, overtaking the entire city for 9 straight days of craziness.  While SXSW seems to be getting bigger and more commercial every year, it still maintains it’s cool factor.  To me, this is due to it’s accessibility.  Anyone with a badge, wristband, or savy and determined enough to RSVP to the events, can get to see great shows at club size venues for next to nothing.   The most difficult part is deciding what you actually want to do as there are so many great things that happen at the same time.    I’ll be attending the shows starting tonight through the rest of the week…  I’m sure some interesting posts will follow.

Lastly, some of our artists will be in town playing.

Most notable:

Bright Eyes is playing a FREE show at Auditorium Shores on Saturday March 19th 7:30pm

Till then,

Matthew Presley

Open Labs Announces Release of Open RiFF 2.0

From the Live Music Capital of the World, Austin, Texas, Open Labs, the recognized leader in innovative, computer-based Music Production Stations, is pleased to announce its first major software upgrade to its VST Live Host – Open RiFF 2.0.

This release of Riff 2.0 follows closely behind the launch of Open Labs’ newest Musical Production Stations, Gen6. As one of the three key elements of the Open Labs Musical Operating Environment, Open RiFF 2.0 offers all users increased functionality, ease of use and simplicity of work flow over the previous version, RiFF 1.3.

With Open RiFF 2.0, Open Labs users now have a familiar, search based sound browser which allows users to browse and audition sounds more easily. Using a singular search window, the thousands of sounds found in the Open Labs NeKo and MiKo lines can be identified by musical instrument, musical genre or familiar nicknames.

Along with this increased functionality, there has been a significant improvement in Midi control, which allows for ease of use in both live performance and with the stage control of instruments.

Nick O’ Toole, film composer and Tour Relations Director for Open Labs said, “Finally a VST host that allows Midi information to flow out to other devices. This kind of functionality has been a long-time coming for Production Stations. Being able to send and receive Midi information, including program change information and having control on a song-by-song, patch-by-patch basis is incredibly helpful for guys with complex systems on tour or in the studio. The artists have asked for this kind of functionality and Open Labs has delivered it.”

Open RiFF 2.0 also offers one-touch performance, which will allow Open Labs users to record Midi tracks in more of a simplistic manner. At the same time, the user does not need to have use an external mouse or keyboard to manipulate Open RiFF 2.0.

Open RiFF 2.0 will be included in all Gen6 Music Production Stations. For all 2010 A-Stock purchases, Open RiFF 2.0 will be available at no charge. For all 2010 B-Stock Purchases, Open RiFF 2.0 can be purchased for $29.99. For Open Labs users with Gen5 Music Production Stations, Open RiFF 2.0 can be purchased for $49.99. For any Open Labs users with Gen4 and older Production Stations, Open RiFF 2.0 can be purchased for $99. Detailed information about Open RiFF 2.0 is available at www.openlabs.com/openriff.

A live demonstration will be available on Open Labs’ live Ustream webcast, Thursday, June 10th, 2010 from 5:00pm-6:00pm, CST. The webcast can be viewed at http://www.ustream.tv/channel/openlabs.

Music: Celebrating 20 years of the ‘Humpty Dance’

What is the Dead Presidents Society?

Who are: Don Buchla, John Chowning, John Lazzaro, Ingrid Linn, Roger Linn, Max Mathews, Keith McMillen, Tom Oberheim, Dave Smith and David Wessel?

The founding members of the Dead Presidents Society!

The Dead Presidents Society is a group of friends who share a passion for the influence of technology on music, and who meet every Thursday morning at a coffee house in Berkeley, California. The group’s name was born out of the fact that a number of the members were formerly presidents of electronic music product companies that died.

To learn more about these important people, go HERE.

Videos: The Future of Musical Instruments

The intersection of music and technology is a wild, fascinating frontier. Ever since the first computer-synthesized sounds were created, people have struggled and succeeded — to varying degrees — to reshape how we think about musical instruments.

Today, thanks to innovators such as Ray Kurzweil and Robert Moog, we have a wider range of digital music machines than the inventors of keyboard instruments could have ever dreamed.

To read more, go HERE.

Watch the video below!

Videos: Check out the “LinnStrument!”

Inventor Roger Linn is famous for creating the drum machine as we know it today, so there’s good reason to be excited about his latest creation. It’s a multi-touch surface not all that dissimilar to an iPad. Take a look at the video here to see for yourself.

The instrument — which Linn calls the “LinnStrument” — can take input from all of your fingers, so you can form chords in addition to sounding individual notes. Each space is pressure sensitive to allow for maximum range of expression. Sliding your finger vertically adjusts the timbre while horizontal motions change the pitch.

Read more about it HERE.

Watch the video below!

Positive Press for Gen6!

Read what others think about the new Open Labs Gen6 products!
If you see press that isn’t on this list, please forward it to press AT openlabs.com.

http://musicindustrynewswire.com/2010/05/19/min3023_220826.php

http://www.gearslutz.com/board/new-product-alert/494562-open-labs-unveil-gen6-newest-line-products.html

http://www.allaccess.com/net-news/archive/story/75400

http://lawontherow.com/2010/05/19/music-biz-news-open-labs-announces-new/

http://www.hispasonic.com/noticias/open-labs-presenta-sexta-generacion-workstation-neko-miko-14804

http://www.sonicstate.com/news/2010/05/21/new-open-labs-production-stations/

http://news.hitsquad.com/OtherGear/Open_Labs_unveil_the_newest_line_of_products_Gen6

http://en.audiofanzine.com/misc-computer/open-labs/generation6/news/a.play,n.6793.html

http://rapbeatsonline.info/how-to-get-into-the-music-industry/open-labs-announces-new-gen6-and-q-series-pc-powered-keyboard-workstations/

http://massmediacontent.com/2010/05/19/MMC3388_220826.php

http://www.gearjunkies.com/news_info.php?news_id=5117&PHPSESSID=94f2fbf6ba57e909359acd4d26fe8685

http://www.samplepoolz.com/?q=aggregator&page=1

http://www.audiopronews.ro/2010/05/open-labs-unveil-the-newest-line-of-products-gen6/

http://futuremusic.com/blog/

http://audiobusters.com/news/station-de-travail-workstation/nouvelle-gamme-de-produits-chez-open-labs-la-gen6

http://delicious.com/OpenLabs

http://digg.com/music/Open_Labs_Unveil_Gen6_the_Newest_Line_of_Products

http://openlabs.ning.com/profiles/blogs/open-labs-unveil-gen6-the

http://www.stumbleupon.com/stumbler/OpenLabs/

http://blogs.myspace.com/index.cfm?fuseaction=blog.view&friendId=58022979&blogId=534610322

http://www.openlabs.com/blog/?p=1011

O-Live: Gen6 Product Launch Announcement Show!

If you missed it yesterday, here is the archive of the Gen6 product announcement show on O-Live. See Gen6 in all of it’s glory!

Watch below!