Marketing

Open Labs Announces Release of Open RiFF 2.0

From the Live Music Capital of the World, Austin, Texas, Open Labs, the recognized leader in innovative, computer-based Music Production Stations, is pleased to announce its first major software upgrade to its VST Live Host – Open RiFF 2.0.

This release of Riff 2.0 follows closely behind the launch of Open Labs’ newest Musical Production Stations, Gen6. As one of the three key elements of the Open Labs Musical Operating Environment, Open RiFF 2.0 offers all users increased functionality, ease of use and simplicity of work flow over the previous version, RiFF 1.3.

With Open RiFF 2.0, Open Labs users now have a familiar, search based sound browser which allows users to browse and audition sounds more easily. Using a singular search window, the thousands of sounds found in the Open Labs NeKo and MiKo lines can be identified by musical instrument, musical genre or familiar nicknames.

Along with this increased functionality, there has been a significant improvement in Midi control, which allows for ease of use in both live performance and with the stage control of instruments.

Nick O’ Toole, film composer and Tour Relations Director for Open Labs said, “Finally a VST host that allows Midi information to flow out to other devices. This kind of functionality has been a long-time coming for Production Stations. Being able to send and receive Midi information, including program change information and having control on a song-by-song, patch-by-patch basis is incredibly helpful for guys with complex systems on tour or in the studio. The artists have asked for this kind of functionality and Open Labs has delivered it.”

Open RiFF 2.0 also offers one-touch performance, which will allow Open Labs users to record Midi tracks in more of a simplistic manner. At the same time, the user does not need to have use an external mouse or keyboard to manipulate Open RiFF 2.0.

Open RiFF 2.0 will be included in all Gen6 Music Production Stations. For all 2010 A-Stock purchases, Open RiFF 2.0 will be available at no charge. For all 2010 B-Stock Purchases, Open RiFF 2.0 can be purchased for $29.99. For Open Labs users with Gen5 Music Production Stations, Open RiFF 2.0 can be purchased for $49.99. For any Open Labs users with Gen4 and older Production Stations, Open RiFF 2.0 can be purchased for $99. Detailed information about Open RiFF 2.0 is available at www.openlabs.com/openriff.

A live demonstration will be available on Open Labs’ live Ustream webcast, Thursday, June 10th, 2010 from 5:00pm-6:00pm, CST. The webcast can be viewed at http://www.ustream.tv/channel/openlabs.

Positive Press for Gen6!

Read what others think about the new Open Labs Gen6 products!
If you see press that isn’t on this list, please forward it to press AT openlabs.com.

http://musicindustrynewswire.com/2010/05/19/min3023_220826.php

http://www.gearslutz.com/board/new-product-alert/494562-open-labs-unveil-gen6-newest-line-products.html

http://www.allaccess.com/net-news/archive/story/75400

http://lawontherow.com/2010/05/19/music-biz-news-open-labs-announces-new/

http://www.hispasonic.com/noticias/open-labs-presenta-sexta-generacion-workstation-neko-miko-14804

http://www.sonicstate.com/news/2010/05/21/new-open-labs-production-stations/

http://news.hitsquad.com/OtherGear/Open_Labs_unveil_the_newest_line_of_products_Gen6

http://en.audiofanzine.com/misc-computer/open-labs/generation6/news/a.play,n.6793.html

http://rapbeatsonline.info/how-to-get-into-the-music-industry/open-labs-announces-new-gen6-and-q-series-pc-powered-keyboard-workstations/

http://massmediacontent.com/2010/05/19/MMC3388_220826.php

http://www.gearjunkies.com/news_info.php?news_id=5117&PHPSESSID=94f2fbf6ba57e909359acd4d26fe8685

http://www.samplepoolz.com/?q=aggregator&page=1

http://www.audiopronews.ro/2010/05/open-labs-unveil-the-newest-line-of-products-gen6/

http://futuremusic.com/blog/

http://audiobusters.com/news/station-de-travail-workstation/nouvelle-gamme-de-produits-chez-open-labs-la-gen6

http://delicious.com/OpenLabs

http://digg.com/music/Open_Labs_Unveil_Gen6_the_Newest_Line_of_Products

http://openlabs.ning.com/profiles/blogs/open-labs-unveil-gen6-the

http://www.stumbleupon.com/stumbler/OpenLabs/

http://blogs.myspace.com/index.cfm?fuseaction=blog.view&friendId=58022979&blogId=534610322

http://www.openlabs.com/blog/?p=1011

O-Live: Gen6 Product Launch Announcement Show!

If you missed it yesterday, here is the archive of the Gen6 product announcement show on O-Live. See Gen6 in all of it’s glory!

Watch below!

PRESS RELEASE: Open Labs Unveil Gen6; the Newest Line of Products

Open Labs, a recognized leader in innovative Music Production Stations based in Austin, Texas, debuted their newest line of Production Stations today, Generation6. The Gen6 lineup includes the Gen6 MiKo QC6, the Gen6 NeKo QX6, the Gen6 MiKo LXD and the Gen6 NeKo XXL. The entire new Gen6 product line offers more power, more sounds and is more affordable.

All products in the Gen6 lineup feature processors from the 2010 Intel® CoreTM processor family and are based on Microsoft’s Windows 7 for true Open Platform Capability. The Q series lineup includes the MiKo QC6 and the NeKo QX6, which offer over 10,000 sounds, full DAW capabilities, a 15” touch screen interface, DVD/CD burning and internet capability and a 37 or 61 keyboard form factor.

The L series lineup, which are the pinnacle of Music Production Stations, include the MiKo LXD and the NeKo XXL. Both production stations offer over 15,000 sounds, full DAW capabilities, a 15” touch screen interface, DVD/CD burning and internet capability and a 37 or 61 keyboard form factor. The L series offers incredible control over production with the Alpha 2 controller, the bankable Mix Edit and the drum pad interface Bump MP. The NeKo XXL also raises the bar in audio by offering 24bit/192khz recording.

“We are very excited to be launching the most powerful Musical Production Stations we’ve ever produced,” said Victor Wong, Chairman and Co-Founder, Open Labs, “with our migration to Windows 7 we have spent months testing and retesting our proprietary software products as well as the most popular third party software and hardware products. We can assure our customers the same level of musical flexibility that they have grown to expect in our Production Stations and with our new offerings we can expand in ways which we have never been able to before now.

“Our software offerings will continue to flourish and our platforms will grow more robust with each release. This is a major transition for Open Labs and our ability to serve our customers and their musical aspirations,” said Wong.

The Q series Open Labs Music Production Stations come with Open Labs Gold Support Services which include: a one-hour “Get to Know Your Machine” session, two hours of technical training and warranty for parts and labor for one year. The L Series come with Open Labs Platinum Support Services which include the same level of Support Services as Gold Support in addition to seven hours of technical training.

The Gen6 MiKo QC6 is available for $3,799 USD and the Gen6 NeKo QX6 is available for $3,999 USD. The Gen6 MiKo LXD is available for $4,799 USD and the Gen6 NeKo XXL is available for $6,999 USD. All Open Labs production stations can be purchased directly through Open Labs at http://www.openlabs.com or through an authorized reseller listed on the Open Labs web site.

About Open Labs

Headquartered in Austin, Texas — at the crossroads of music and technology– Open Labs develops and markets cutting-edge studio and musical instrument technology. Since 2003, Open Labs has been the recognized leader in providing musicians and producers of all genres, with high-performance portable instruments that combine all the equipment found in a professional music studio with unsurpassed live performance capabilities. A-List artists currently using Open Labs products include: Timbaland, Jonathan Davis (Korn), Morris Hayes (Prince), Jesse Carmichael (Maroon 5) and Jimmy Nichols (Faith Hill) to name a few. For more information on Open Labs, please visit http://www.openlabs.com.

Post your music on YouTube and get paid?!

Ok, so these OK Go guys aren’t going to win Internet Emmy’s for this video, but they’re musicians so we’ll cut them some slack.

The big point here is that YouTube has launched a program to pay musicians based on the number of views they get for their videos. If you were going to put your videos up on YouTube for promotional purposes anyway, you might as well get paid too, right?

Check it out!

YouTube’s MUSICIANS WANTED program!

Review: Open Labs MiKo LXD

Some positive press for the MiKo LXD via StupidDope.com!

Check it out!

Product FYI: Marketing your Music

Marketing Your Music

- by Carson Barker, Open Labs Staff Writer

Good music won’t get you noticed if you don’t get the word out. With modern technology’s grace of easy home recording techniques, there’s been musicians all over the world writing potential hits, but if no one hears them then the music remains confined to the studio. Half of having a successful band is marketing yourself: spreading the word about your music so you can reach a bigger audience, get bigger shows, and make more money. So put down your instrument and get on your computer, it’s time to start marketing.

Step 1: The Business Plan (or: Cut a hole in the Box)

Most musicians got into this field because they despise the business world, but guess what? You are, in fact, running a business. That doesn’t make you a soulless money-maker who works 9-5pm, wears a suit and tie, and answers to some demoralizing boss, it makes you a savvy musician who knows how to get their music out the masses. The first thing you need is a business plan, so you can see and formulate the big picture of your success.

A basic musician’s business plan should have three things: description of the band, goals, and deadlines. For the first part, write down a 2-3 paragraph description, focusing on where you market is, what sets your band apart from other bands in the same genre, and what your band can offer to the entertainment industry. This gives industry officials an idea of where you stand, and what your possibilities are.

After you get the description down, list what your goals are as a musician. Make the list time sensitive, with short and long term goals listed in consecutive order. Also make the goals detailed, instead of something trite like, “Be a millionaire.” Big dreams are a good thing, refine them into something realistic and there’s a better chance that you will see them materialize.

“The most important thing is flexibility,” says Joel Laviolette, leader of the band Rattletree. “Always analyze what your doing, if it isn’t working then stop. Don’t get too involved in the ego of your ideas if you need to change them. In the end, it’s about building relationships, keeping good ones and not burning any bridges.”

Along with being time sensitive, the goals should have deadlines. You’ll be more inclined to make the goals happen if there is a restrained amount of time in which to do so. There should be long and short term deadlines, short term ones like, “Complete a four song demo,” to long term ones like, “Have a contract with a major label,” “Plan an international tour,” and such. The business plan helps you accomplish tasks more efficiently, and also helps if you are ever approached by a record label, manager or booking agent because it shows them that you are serious about your music. For more information on business plans, visit this link.

Step 2: Press Kit (or: Put Your Junk in the Box)

A press kit is a multifaceted marketing tool, designed to promote your music in several ways. The first and foremost is to alert the press. Sending a press kit out to local and national publications familiarizes the press with your music, who you are, and what you’re doing. Ideally, you’ll receive an album review, show review, or feature article which will, in turn, get your music more recognition. The second purpose of a press kit is to send to clubs, booking agents, and other industry professionals to familiarize them with your music, and hopefully get you some performance dates. With a clean, professional press kit, you can look like a pro, market yourself efficiently, and make some good contacts in the industry.

“Overall, just make sure that your press kit is clean, neat, and pro-looking is very important,” says Dante Dominick, managing editor of www.austin.com and former editor of Austin Music and Entertainment Magazine. “Photos should be crisp, not something that I can tell that your buddy took. In any case, sound clips are important, there’s no purpose to a press kit if I can’t hear what you sound like.”

When compiling your personal kit, the most important thing is image. Try to emulate a stellar report that you put together in college or high school, and times that by 10. The cover should have your band name, logo, and any artwork that you may have which fits your band’s style. If you have some trouble coming up with ideas, any local design company would be happy to assist you for a fee, which is by all means worth it. Try to find a press kit of the musicians that you like and mimic that. Many musicians have their press kit on their website. Press kits come in two forms — mail-in or EPK (Electronic Press Kit). Both have pros and cons, but more info can be packed inside a mail-in, so make that your first choice.

“As far as mail-in press kits versus EPKs go, I think having something in my hands works better for me, and I’ll spend more time on it, rather than an EPK,” Dominick says. “Things like DVD’s are probably not money spent wisely, sometimes less is more. One thing that I always throw away are the 8×10, old school standard publicity photos that everyone from actors to models use. Just include a photo on your bio, that 8×10 glossy is completely unnecessary.”

“Following up on your contacts is ideal,” says Laviolette. “Making initial contacts is easy, but if you don’t follow up it doesn’t amount to anything. Look at other band’s press kits, you can get a good idea how to start from there.”

The press kit should contain a hi-res photo inside a page-long bio, a CD with at least three tracks, all of your contact info and any press quotes you might have. If you want to really style it up, put in a few professionally designed business cards and a USB flash drive with your music on it. If you don’t have press quotes, business cards, or a flash drive, it’s no big deal, take that step when you get there. Make it a complete, suave, and easy-to-read package, and you’ll have a professional press kit. For more information on making a press kit, visit this link.

Step 3: Market Yo Self (or: Make Them Open the Box)

Now that you have your press kit and business plan, market yourself! Find the mailing address for local music editors and send your kit off to them at least two weeks before you have a show or release an album. Go for online publications as well, review sites and indie music companies are a great way to start getting press quotes. Find all of the clubs you want to play at and mail your package to their booking agent. If their website has a phone number for booking, call that number first and talk to the agent, personal contact should always be the first option. Tell them what other musicians you sound like, and who you could play the bill with.

Step 4: Utilizing Other Tools

Though press kits and business plans are very effective, for a full-on marketing strategy you’ll need online tools as well. Myspace and Facebook pages are free and expected, but an actual website shows that you are investing time and money into your product. Make sure that any website you have up is professionally designed, easy to navigate, and consistently updated. Get an email list that’s accessible from all of your sites, and send emails out whenever you have news to share. An email list also comes in handy for starting up a street team, which is imperative for getting a good crowd in cities that you don’t live in. Keep in mind that if you abuse your email list, you’ll get marked as spam and thus become ineffective. Don’t send out mass emails everyday, save them for show announcements and album releases. When you do have a show, call everybody and their entire family beforehand and tell them. What sells a booking agent on booking you again is the crowd that you draw in, above everything else.

When it comes to designing websites, press kits, or any other forms of media, focus on the art of simplicity.

“Functionality, it has to be intuitive and user friendly,” says art director and web designer, Jim Darling. “You have to basically dumb down to the lowest common denominator in most cases. You can’t take anything for granted, because people are stupid. Design down for dumb people, especially since there are no rules and things are changing all the time, people get confused.”

Stay on top of other websites that might help promote your band. Pandora, Last Fm, and Youtube are all sites that help get your message out to an international crowd. Put some widgets on your personal sites so people can carry a piece of your marketing with them. Start a blog on your website or myspace page, update it weekly with important information regarding your band’s status.

“Widgets are definitely beneficial for certain websites,” Darling says. “I’ve done pages that are all widgets before.”

Step 5: Don’t Get Discouraged

If you market the hell out of a show and no one shows up, then market the next one harder. If you send out 500 press kits and don’t get a response, send out 500 more. The press rarely takes the first bait, they want to see that you’re an established band before they write about you, so keep them updated on your success. Fans can find 1,000 reasons not to go to a show (i.e. “It’s raining,” “I had a long day,” “I’m broke,” “My dog died”). If they are a fan, they’ll come back eventually, just keep informing them. If you try all of this and nothing works, then maybe you should re-evaluate components of your music.